Publications
Hayden's Ferry Review – Forthcoming – “cod in the 3am kitchen”
Moonstone Arts Center – Forthcoming – “i’ve read gatsby exactly once”
The Wax Paper – Forthcoming – “history of the flame;” “string theory;” “endless skies;” and “lily”
Passionfruit – 2025 – “i usually lie in these kinds of poems”
Oakland Review – 2022 – “antipode”
Fifth Wheel Press – 2022 – “september fifth, one year later;” “natural fears”
Stonecoast Review – 2021 – “after the fish dies we bury it or return it to the ocean” and “i’m being f*cked by the internet”
In Parenthesis – 2021 – “let’s imagine a (green, grass, new, fern) space in all its definitions”
Mot pour mot – 2020 – “la nuit qui danse”
Maudlin House – 2020 – “change”
White Wall Review – 2019 – “orbit / jupiter”
Press
Swift Current Online – 2024 – “Rhode Island writer & artist settles into the Stegner House & Southwest”
Brown Daily Herald – 2023 – “Artist Heather McMordie bridges science, storytelling through art of printmaking”
Brown Daily Herald – 2023 – “Diving into their own worlds”
The College Hill Independent – 2023 – “Phantom Planetree and Shadows”
Brown Daily Herald – 2022 – “Providence Art Club Displays Works from Rhode Island College Students”
Re-Examining Conservation – 2022 – “Symposium Presenters: Special Thanks”
The College Hill Independent – 2021 – “The Kissing of Powdered Asses at a Picnic”
Said of my poetic manuscript atmospheres, winner and recipient of the Frances Mason Harris ‘26 Prize:
“A raw and lively imagination drives these poems; sharp observation paired with exacting reflection keep the language feeling always on the verge of overflowing its own meanings. A strong momentum is maintained by concrete specifics that keep the reader rooted on the page, surprised by foxes, shipwrecks, lingerie, and so many other details of the real world whose reality is made ever-more intricate through the rich atmosphere that builds into a weave of melancholy and optimism, nostalgia and radical hope. The blend is enchanting, and the hope is contagious.”